Getting My Transfer Slides Into Digital Format To Work

This indicates it needs to be better matched for the ES-1 (without additional extension). If scanning these old slides is your only objective, and assuming you already have the DSLR, and can find an extension tube for DX, you may compare the macro lens cost with a film scanner. The lens is not a film scanner naturally, and a digital video camera will NOT appropriate to copy color negative movie, but it works for slides.

The Nikon 60 mm macro lens is exceptional for any close-up work, and I 'd assume the other comparable lenses are fantastic too. I predict the macro would rapidly become your preferred lens. This ES-1 setup works effectively for scanning installed slides rapidly - like magic after you get https://en.wikipedia.org/wiki/?search=slides to digital the hang of it.

The macro lens optical quality is extraordinary, however the other aspects are perhaps not truly maximum (rush, mounting, framing, etc), not the same as a genuine film scanner. But still rather simple, and which seems more than great enough for this purpose to regain countless old slides for nostalgic functions.

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Frankly, due to the months of work that would be required on a film scanner, this job went years without taking place at all. Above is a sample image copied from a 1990 35 mm Kodachrome slide, utilizing the ES-1 setup with the D 70S, 6 megapixels (is a cropped 1.5 x body).

The image is considerably larger than your display screen, and to see complete size, you may have to save the larger image and view with an image editor, or you could shut off Automatic Image Resizing in your web browser. The electronic camera macro lens seems the obvious bet for remarkable optical quality. :-RRB- Outcomes are certainly great enough. And did I mention it is very quick? Evaluating extremes perhaps, but here is the same slide copied with a Canon A 620 Power Shot compact electronic camera (point & shoot) in its macro mode. No additional accessory was used - its macro mode gets this close if zoomed to wide-angle.

Pixel measurements are roughly comparable to scanning at 2500 dpi. This was a rapidly kludged setup for the one image here. (My method: keep stacking on stuff to solve the next instant issue). The cam was on a tripod. The slide was literally standing on edge on top of a light stand pole, held with a piece of tape.

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This light was a 150 watt home incandescent light (perhaps 2900K?) in a ten inch clamp-on utility reflector on a light stand (about 15 inches from slide), through a plastic Tupperware tray (yet another light stand) covered with a white bed sheet to diffuse it adequately (this lighted area should be a couple of feet wide, the slide at 1/2 inch is a broad angle circumstance).

The JPG was a little blue, and was adjusted here with -Blue and +Red. Auto direct exposure was ISO 100 and 1/80 2nd (dead time shutter to let electronic camera stop shaking). Find out more This video camera takes 4:3 images, but the slide was 3:2, so completions are cropped. Or, a little more range would have made the image smaller sized so it would all fit, and after that it might have been cropped to 3:2.

A straight edge held to the top railing on the right shows a similar bow, which is visible. Significant vignetting (dark corners). This is a pretty severe situation for the little compact video camera lens. Uncertain you would really wish to try this, however it can work. I did feel the very strong requirement for a practical slide holder.

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Compacts don't specify their macro recreation ratio, so the calculator can not include them. Many other techniques of holding and illuminating the slide are certainly possible. If you have a longer macro lens, you undoubtedly require something other than the ES-1 anyhow. You simply require a diffused light behind the slide, and an electronic camera and macro lens in front of it.

One common method positions a lighted white paper or foam board background a foot approximately behind the slide, with the electronic camera and macro lens on a tripod in front. Slide holder might be a plastic tablet bottle screwed to a board, with a slot cut at top to hold the slide standing up.

Electronic camera tripod screws are a common 1/4-20 UNC screw (Unified Thread Standard, coarse thread, 1/4 inch size, 20 pitch per inch), common in any North American hardware shop. Speedlight flash is also terrific for freezing cam shake. Or, just standing the slide on a regular lighted slide sorting tray is basically the same thing, pointing the lens at it, rear lighted.

The Ultimate Guide To Digitalize Slides

The holder should be easy and fast and steady, you don't desire it to move. Here's a cool Do It Yourself concept shared by Jim Simpson in Nova Scotia Canada. The grooved mounting for slides is 3/4 inch wood knobs, and it looks very useful and simple to run. Tokina 100 mm macro lens on Nikon D 7100 electronic camera, using a white screen flashlight app (Android).

White balance is Cloudy, or Shade sometimes (correcting specific slides will vary a little). Installing the video camera and the slide on the exact same board decreases any possibility of cam shake. Obviously, these do have to be mounted at the proper range so that the slide fills your frame at your common 1:1 or 1:1.5 focus distance.