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Or the ES-1 is a slide holder, which with the best lens, practically takes care of all of this, really easily. There is advantage of having the slide physically connected to the lens - there is no camera shake. The ES-1 does this. Otherwise, just using a brief wood board, with a 1/4"-20 UNC screw (routine things in any North American hardware store) to hold the video camera at one end with its tripod socket, and holding the slide holder in front of the lens http://edition.cnn.com/search/?text=slides to digital (among them with a brief slot for adjustable moving distance to set focus distance to the slide), must work well.

BR-5 step-down, 2. K 5 ring, 3. ES-1 This Nikon 60 mm f/2.8 D AF macro lens has to do with $500, and there are other similar lenses. One person commented that they leased a macro lens for $40 to do convert slides to digital gold coast the task cheaply. It does appear an excellent idea to get your slide mounting/lighting setup primarily exercised before you lease the lens.

There is now a more recent 60 mm AF/S lens, and a Nikon 40 mm AF/S DX macro lens, both of which have much shorter working distance in front of the lens, and need to work (on a DX cam) with no additional spacers. The ES-1 attachés to a 52 mm filter thread, so it needs to fit any brand of DSLR.

There are obviously other comparable thread adapters much cheaper. The ES-1 copy attachment is generally an empty tube or spacer. It is two telescoping tubes actually, with a one inch length adjustment. It telescopes to hold the slide from between 45 mm to 68 mm in front of zandersron435.kinja.com/a-transferring-slides-to-digital-success-story-youll-ne-1840104239 the lens filter thread.

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The macro lens does all of the optical work. DX video cameras: (APS-C, 1.5 x crop factor) The ES-1 is created for a complete frame video camera utilizing the Nikon 55 mm f/2.8 macro lens. The problem is that for today's DX digital SLR with the 1.5 x or 1.6 x lens crop element, the 35 mm slide is half once again larger than the DX sensor.

The 1.5 x crop sensing unit now needs a smaller image, more like a 0.67 reproduction size (which is 1:1.5), to fit the bigger slide onto the smaller sensor. That requires a longer working distance in front of the lens. But the ES-1 does not adjust that far, which implies that the cropped sensing unit body (1.5 x or 1.6 x crop aspect) requires an additional spacer in front of the lens so the ES-1 can be changed to hold the slide further out in front, to look like the smaller 0.67 size, so it will not be cropped exceedingly.

Instead, this is speaking of a simple tube about 20 mm long, with 52 mm threads on both ends, that goes in between the 60 mm lens and the ES-1, to extend the ES-1, to hold the slide a little further out, to achieve more distant focus on the DX body.

So I utilized the K 5 tube shown (only the one K 5 threaded tube, and NOT the rest of the extension set), which works great with the ES-1 on DX with a 60 mm D lens. The K 5 tube is an easy aluminum tube, 20 mm long, with 52 mm filter threads at each end, and this use positions it between the lens and the ES-1.

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The ES-1 telescopes nearly an inch (24 mm), but 60 mm on a DX body needs this much more (and the telescoping still permits modification). Discovering that additional extension for a cropped sensor body is the issue. See more about how to digitize slides and photos the Various situations: Numerous Nikon users inform me that a Nikon 40 mm f/2.8 G DX macro lens works well with the ES-1 without additional extension or adapter ring (it is a DX lens).

My 60 mm Nikon AF Micro Nikkor f 2.8 D lens requires a 20 mm additional spacer (included between lens and ES-1) to cover the complete slide frame on the Nikon 1.5 x DX DSLR. NOTE: Mine mentioned here is the older 60 mm D lens. However the more recent 60 mm AF-S lens is said to have a shorter working distance in front of the lens at 1:1 (50 mm new lens vs 71 mm old lens).

An old Nikon 55 mm f/3.5 macro lens on the DX cam requires about 10 mm extension. These do 1:2, needing their own extension tube (behind the lens) to reach 1:1. However only 1:1.5 is required to do slide copies on DX, and rather, 10 mm extension (in front of lens) reduces the obvious slide size to provide that.

I have not seen this lens, however it is said to have a 90 mm working distance at 1:1, so this sounds easily ideal for slides at 1.6 x crop. A longer macro lens (like 105 mm) can obviously copy slides, however utilizing the ES-1 with them seems less reasonable (needs considerable additional extension, but possible).

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See the Nikon ES-1 instruction sheet. Full frame (FX) cams: The Nikon ES-1 was developed for full frame film bodies to copy installed slides at 1:1 with a 55 mm macro lens. The ES-1 direction sheet likewise consists of the 60 mm f/2.8 D lens, specifying it gives 0.96 to 1.0 reproduction with the BR-5 installing ring on convert slides to digital costco a complete frame cam.

At right is utilizing a full frame D 800 with 60 mm D lens using the ES-1 at its optimum extension (alone, with only the BR-5). It requires less extension for a better enlarged cropped view, however this longer 60 mm lens can http://www.bbc.co.uk/search?q=slides to digital not focus closer than 1:1. This existing view seems really usable if you crop each one a little (which you likely want to do anyhow, most of the times).